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What’s this!!! Lange on Tsunami, well wonders never cease! Stuart Langelaan’s going through a bit of an evolution at the mo. But is his new style of production a patch on his old ‘timeless’ style from the late 90’s and early 2000? Or is the ‘Shrewsbury Kid’ loosing his cool?
One thing I’ve always loved about Lange is his seal of quality. His productions are the very best trance can offer with layers and layers of sequences and pads over funky basses and real trance beats. That is exactly what we have here. Lange doing what it says on the tin. Inter City manages to be a deep and absorbing track whilst being incredibly uplifting.
Original Mix 137 bpm This A side features the original version, a very Firewall (Lange also) style track, which focuses more on that new ’more prog’ style I wrote off at the top of the article. With a huge mix up of loops and sequences to a first mini break, with almost no key changes at all, fading in the main sequence as it goes. The break see’s some super flange effects and background beats. Layered pads lead us back to a bass driven section with an all new sound on the main Inter City Theme. (a bit boring there!) But after around a minute the main break ensues, this time, no trancey layering, just the main sequence filtering back in. The Andy Perring influence can be heard now with record reverses and multi faceted effects. Sounding more like a slower more progressive mix of a Pulsar tune. The track ends with the main sequence fading into a more pad like version, heavily flanged and chorused, fused with funky basses.
Lange Remix 137 bpm B sees a more Lange, Lange version (if you get what I mean) This flip is back to the Lange I know and Love. Lots of Energy, lots of value. The same ingredients are used here for this build up. The funky basses (less so in this remix mind), flange and sequences are there in almost the same style, but the first break is a trance fan’s wet dream. Beautiful pads marauder along, until the main sequence breaks back in and builds and builds and builds in a stunning arpeggio patterned snare off at lightning pace. The delay features on the sequences help add production sounds, giving a fuller sound, after two minutes or so Lange breaks into silence then revamps the lightning pace with more flanges, the same found on the A and continues to rebuild very nicely to the second break. This track closes in more or less the same way as the A. This version stands out as real class.
Conclusion:
Overall
Another cornering Large Production! It’s not perfect in any sense, with the A being far too long and sounding very flat. Not to mention the song itself is a bit too repetitive on the whole. But the B is very Lange ’99/2000 and will really please his fans (So every trance buff then!!) Both sides are mammoth trance making at 10 minutes plus. Not he’s best, but better than most!
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