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It's time for some double team action with the combination of Mike Koglin and Mark Pledger teaming up to create 'All The Way' with a remix by Nick Larson. Tech fused trance with that uplifting feel coming up.
Mike Koglin may well be a producer that does not get as much cover as he should. He's produced some very fine tracks in the years he's been producing with his cover of Depeche Mode's Silence being very successful back in 1999. Mark Pledger is one half of Smith & Pledger and is carving out a fine reputation as a solo artist these days. Here is what you get when they decided to have a bit of studio time with their new track 'All The Way'.
:: Original Mix :: Nick Larson Remix
The Original mix is a blend of drum kicking beats with a techy leading riff that has been a feature of many a recent Koglin track and a dreamy chord changing breakdown. The track starts off with what I would call a Randy Katana style beat and background groove. The beat is deep and soft in sound but what makes the lead on here is the riff that kicks in on top of the short stabbing melody feeding away in the background. The sounds all start to build up being led by the main riff which stutters here and there. When it all breaks down your left with a dreamy chord changing build-up with short bursts of vocal style harmonics as the melody starts to get louder. The melody builds and builds then fades down again before a short burst of leading beats followed by a drum roll to bring back the track with the main melody in full flow. It's got that uplifting feel about with its changes of tone and dreamy style of sound. The leading riff returns to see the track out but the main catch here is the melody in the meat of the track.
I don’t know a lot about Nick Larson but he has done a good job with the remix here. He has took the leading techy riff used in the original and worked it more into the track. There is less of an euphoric build and uplifting main melody about this mix and more of a slightly tribal sounding feel with riffs a plenty to keep you interested. The beat has a little more punch about it and the riff used throughout suits the track very well. The breakdown in the middle is a short rest from that main riff that pumps away in the track rather than a build up to a euphoric tinted main melody. The main drum roll after that brings back the beat and riff. You could say this mix is a little more on the progressive side and could say its progressively catchy? All in all though this is a good mix and very much in the Sander van Doorn style of producing.
Conclusion:
This is a good release in all. It did not strike me as being anything special but there is goodness to be found in the tracks. The orginal is the uplifting one here with the Larson remix being more on the progressive tribal side with that techy feel about it.
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