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 Brighton Music Conference (BMC18) returns to Brighton Dome and other venues in Brighton for its fifth year from Wednesday 25th April to Saturday 28th April 2018, following its most successful year to date in 2017...
Super early bird tickets are now on sale for the two-day music conference at The Dome on Thursday 26th April & Friday 27th April, priced at Academy £16.60 and Professional £75.90.
BMC18 featured talks include 14 panels in the professional theatre and 14 workshops, panels and seminars in the Academy theatre. The Toolroom Academy (Thursday only) hosts 5 production workshops and talks. New for 2018, the Focusrite/Novation Igloo features 10 workshops and talks. There will also be a specialised exhibition floor for the tech and services industry for DJs and music makers and a professional delegate-meeting zone. There will be networking events and club nights over 4 days and 140 inspirational speakers.
Sponsors/partners for 2018 so far include Association For Electronic Music, Beatport, Believe Distribution, BPI, DJ Mag, Data Transmission, Element 5, Evolution Dome, Focusrite Novation, Horus Music, Last Night A DJ Saved My Life Foundation, Mixcloud, The Arch, Native Instruments, PRS for Music, Sharpe stream, Skiddle, Toolroom, and Visit Brighton, with educational partners ACM and BIMM.
ABOUT BRIGHTON MUSIC CONFERENCE
Brighton Music Conference focuses on innovation, education and the key issues facing the electronic and dance music sector. Attended by thousands of experienced music industry professionals and the next generation of DJs/producers, BMC enables attendees to form new business partnerships, showcase products and expand existing networks, and is the UK’s annual opportunity for the industry to meet face to face, share knowledge, and build new opportunities.
BMC17 brings together Industry-leading delegates and speakers at over 50 talks, seminars and workshops, alongside networking events throughout the conference duration. BMC Professional connects music with business, bringing together thought leaders through a series of panels to discuss the future sustainable growth of the electronic music industry, targeted networking events and access to an evening schedule of events and parties across Brighton. BMC Academy is about plugging in the next generation and fostering new talent via a series of master classes, panels and talks.
Both tickets give access to the two-day exhibition featuring tech showcases, panels and interviews.
2017 BRIGHTON MUSIC CONFERENCE
Brighton Music Conference 2017 was held Thursday 27th April and Friday 28th April and featured speakers from AFEM, Beatport, PRS for Music, PPL, Ministry of Sound, Sony, Label Worx, Live Nation, Mixcloud, Mixmag, Defected, NTIA, Toolroom, Hospital Records, MMF, DJ Mag, AEI Group, DJ Monitor, UKF, Drum & Bass Arena, Loopmasters, Napster, Brapp TV, PIAS, Loopmasters, Sub Club, Clintons, Crown Management, Roland, Anjunabeats, Audiolock, Serato, BIMM, Wunderground, UK Diversity, Native Instruments, and many more, with the conference programme split between the professional and academy theatres.
:: 2017 Brighton Music Conference video
BMC17’s Professional programme talks included ‘Streaming vs Radio’; ‘AFEM Presents Get Played, Get Paid’; ‘How to Promote Diversity In Dance Music’; ‘What’s Next For Electronic Music?’; ‘BPI Presents Music Piracy’; ‘NTIA Presents Save Our Nightlife’; ‘Creative Law Presents: But it was only a “cheeky” re-edit? Copyright law and the Remix’; ‘BPI Presents ‘Sync In Progress’; ‘Music Recognition Technology: how does it work for you?’ moderated by Tim Arber, Head of Membership Support, PRS for Music, and ‘Giving Back in association with Last Night A DJ Save My Life Foundation’.
BMC17’s Academy Programme featured panels and topics ‘BIMM Presents: Writing & Producing To A Brief’; ‘Ghost Writing’; ‘How To Get Ahead In The Industry?’; Toolroom Records Q+A; ‘Roland / Serato Workshop’; ‘Why Should I Make A Video?’; ‘DJ Q+A with Friction, Sam Divine, Josh Butler, and My Nu Leng’; ‘ACM Workshop’; ‘Hospital Records Q+A’; Producer Q+A with Seamus Haji, Prok & Fitch, Paul Hartnoll, and Just Her’; and more.
In addition to housing Native Instruments in the BMC Demonstration Igloo installation, the exhibition floor featured brands, organisations, and education providers including Pioneer, AFEM (Association For Electronic Music), BPI, NTIA, Native Instruments, Traktor, Focusrite, Novation, Serato, Roland, Korg, Beatport, PRS for Music, In Music Brands, Toolroom, GAK, Hospital Records, CM Sound, Source Distribution, Ditto Music, DJ Mag, Data Transmission, Decoded, Skiddle, MMF, Believe Digital, Horus Music, Evolution Domes, Yamaha, Steinberg, Element 5, and more.
Native Instruments’ Native Sessions platform ran production seminars, talks and workshops on both days, with topics covered including the use of Maschine, Workflow, Kontakt, and Traktor. Producers and this year’s artists included Randomer, Ikonika, Whyt Noyz, Throwing Shade, with SSR London discussing Tactile Sound Design using Maschine Jam.
The nighttime schedule saw official BMC events including Constant Circles hosting a two day Label Showcase & Art Exhibition at No Walls Gallery; the now legendary Wunderground x BMC Networking event returned to Brighton to host the world’s first ever episode of ‘DJ Blind Date’. Thursday’s hottest ticket was TAKE, with Hot Creations producer and Elrow resident Patrick Topping at The Arch, the Official 2017 BMC After Party. Wiggle returned on Friday 28th April to hold their 23rd birthday party with On The House BMC Party with Pioneer DJ and Kuvo at Al Duomo. DJs included Magnus Asberg, Nathan Coles, Terry Francis, Eddie Richards, Andy Blake, Rob Anderson, Lucas Hulan, Felipe Kastegliano, Dylan Debut, Liz Edwards, Joe Volpeliere, Corin Martin, Simon Atkinson, and Beatsworkin.
Brapp threw Friday’s BMC Official after party at Patterns. Headlining the night was the award winning grime, d’n’b, and rap hybrid collective from Manchester known as LEVELZ, one of the best live shows in the country, featuring an upfront collective of producers, MCs and DJs.
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